Wednesday, November 11, 2009

Bloomingdale’s Restaurant

Lileks asks today if any of his readers have ever worked in a restaurant, citing the beneficial aspects of it.  Of course he wants people to respond in the comments section but we bloggers will use any excuse to publish on our own blogs.

My first real job was as a busboy at a Mexican restaurant called Ernesto’s in Vienna, VA.  I was fifteen years old.  It wasn’t a bad job (except the time I spilled a tray full of water glasses all over a customer.  But it was his fault.  He accidentally knocked the arm I was carrying the tray with with his own.  Somehow this didn’t seem to matter to him much as he sat there, drenched) though I only worked there for a few months.  One day we all showed up for work and discovered the doors locked.  The owner, apparently deeply in debt, had absconded with the previous night’s proceeds, and disappeared.  That’s the story that went around anyway. 

When I was sixteen I worked at the Gino’s restaurant near the Tysons Corner Mall, a now defunct fast-food place that server burgers and Kentucky Fried Chicken.  I was in charge of cooking the Kentucky Fried Chicken, and I was good, baby.  Best KFC you ever tasted.  I was there for at least a year, until they cut my hours back.  After that it wasn’t worth it and I looked elsewhere for employment.  I worked as a janitor for awhile in an office building in McLean, VA. but I got fired for not showing up for work on my eighteenth birthday.  I then stayed unemployed until my graduation from high school after which I took off for Salisbury Beach, Massachusetts to spend the summer with my father. 

Actually, I was only going up for my usual three-week summer vacation with my dad.  But as the weeks progressed I realized I had nothing to go back to in Virginia – no job, no plans for college – so I figured, why not stay?  After our three-week stay at the beach in the cottage my father had rented, my cousin and I stayed at a cottage his step-sister had rented for a few weeks.  Once that ran up I went back to the city to stay with my dad and his wife.  But with them at work all day and not knowing anyone else in the city I got bored and finally decided to head back to Northern Virginia.  Much to the relief of my mother, who feared she was losing me. 

She also was concerned about my future.  Once I was back living under her roof she was insistent that if I wasn’t going to college I needed to get a job.  This was end of summer, 1976. I really had no interest at the time but knew it was inevitable as my savings from my previous job, plus the infusion of cash my dad provided when I left Massachusetts, was running out.  My worried mother started looking in the want ads for me and it was she who found the ad for the job at Bloomingdale’s, which was about to open its first store outside New York at the Tysons Corner Mall.  When I applied it was for any old job but they hired me to work as a waiter in the restaurant on the third floor, La Provence.  (There was a second restaurant abutting it called Forty Carrots, a counter where they served lighter, so-called healthier fare.) Anyhow, the job at Bloomingdale’s would change my life because it was there that I met my baby.  I’m not sure if my mom ever put those two things together, that it was her actions that led to my meeting my love.  Not much slips by my mother, one of the smartest and most perceptive people I know, so she probably has.  But of course she is also one of the classiest people I know too so she would never mention it.  At any rate, thanks mom. 

Anyhow, I spent seven years waiting tables at Bloomindale’s, and I made a lot of money, enough to buy a condo near the end of my stay there.  I worked a shift that started at 11:30 and ran until we closed at 8:00, so I got both the lunch and dinner rushes in.  I made about $25,000 per year, pretty good money for a guy my age at that time.  I was always flush back then and since the tips came all in cash (even the tips that were charged came back to me in cash at the end of the night) I often walked around with a grand or more in my pocket.  My future wife worked the dinner rush because she was putting herself through school during the day.  I still remember the first time I met her, when she walked into the place in her waitress outfit, her long blonde hair flowing down her back.  (WOW.)  I was twenty years old, she was nineteen.  I’d actually quit Bloomingdale’s earlier that year and moved to Daytona Beach for about six months and had just returned and gotten my job back.  My baby had started during my absence and had herself just returned from a trip to Florida.  When others started asking her about her trip I insinuated myself into the conversation with my own tails of Florida, trying my damndest to impress.  She blew me off.

But only for awhile.  We became friends first and stayed that way for a few years, though she was always aware of my romantic interest.  I hosted the restaurant’s Christmas party at my townhouse when I was twenty-two and that night, as we exchanged presents, came the first breakthrough on my many year quest for her.  She claims that it was I who made the move for the kiss but I know it was her – she just couldn’t resist any longer, heh, heh.  We’ve joked about that for years.  She claims that if the question was put to all who knew us, who was more likely to make the first move, me or her, that she’d win the argument in a landslide.  In other words, that everyone would think I made the first move.  I tell her that’s beside the point. I was there and I know what happened.  Still, she’ll argue the point.

But this post was supposed to be about working in a restaurant.  The work itself was enjoyable – I liked waiting tables and dealing with the public.  And I was good, at least if you measured by how much money we all made.  I almost always made more money than my colleagues for I recognized right away that the vast majority of those eating were at Bloomingdale’s primarily to shop, not eat.  They wanted a quick meal, polite and efficient service, no dessert, and the check.  So the idea was to get-em-in-and-get-em-out.  The more parties you could work during the rush, the more money you would make.  Of course, there were always those who wanted to relax and linger, and recognizing them was also important.  You might not get turnover with them but if you handled them right you could run up a big bill and perhaps get a big tip.  Figuring out what people wanted and giving it to them was part of the art.  As a result I had lots of regular customers, another reason I would end up making more than everyone else.  Regulars were almost always good tippers. 

Near the end, as my baby and I became more serious, I knew that I couldn’t wait tables my whole life.  If I was going to marry her I needed something more than this.  So I went back to school, starting first at Northern Virginia Community College and then transferring over to George Mason University.  I continued at Bloomingdale’s with my usual shift, taking classes early in the morning.  At a certain point I realized I had to quit if I was going to finish school in a decent amount of time, as my work schedule just didn’t permit me to take a full load of classes.  I quit and took a job working only evenings at Blackie’s House of Beef in Springfield, freeing myself up to take late morning and afternoon classes, along with an evening class on my night off Blackie’s.  And Blackie’s was fun too.  More importantly, it paid the bills during my years in school.  It was a completely different style of waiting tables than I was used to and it took me some time to get the hang of it.  I did eventually though I never took to Blackie’s the way I took to Bloomingdale’s.   

Then I got a job working for the FDIC in IT, my current field.  This was during my last year of college.  I took what classes I had remaining in the morning, took a subway downtown to work at the F-Dick from 12:00-5:00, subway-ed, then drove over to Blackie’s by 6:00 for the dinner shift, finally home by 10-11:00.  It was an exhausting schedule and I could never do it again.  I saw my baby on Sundays, usually for an all-day stint of studying at the library at Georgetown University, where by this time she was studying for her PhD. 

And then we got married and I got a full-time job with FDIC.  I still had to finish a few more classes up that summer to get my degree and I kept the job at Blackie’s in an attempt to make as much money as I could, having just bought a house.  But I couldn’t do it anymore.  After about twelve years of waiting tables I simply had no more motivation.  I found myself giving away my tables to others because I couldn’t bring myself to walk up to another table and say, “Hi folks, how’s every one tonight?”.  Truth is, I didn’t care how they were.  I just wanted to get on with my new life.  One night I walked up to the manager at Blackie’s and simply said, “I quit.”  To his credit, he replied, “I don’t blame you.”  And that was that.

But this post is titled “Bloomingdale’s Restaurant” and it was Bloomies that I originally intended this post to be about.  It was a great place to work for a young person and we had lots of fun there.  For years there was a group of us who would head out after work to have a few drinks – that was a pretty good crew.  We’ve lost track of them all now but here’s to all the old Bloomies gang: Marie at the grill, John the host, Sylvia the cashier, Helen the night hostess, Juanita cooking in the back, George making sandwiches and desserts, Greg, my best friend and fellow music-lover and drinking buddy, Brian, who played in a band, Melissa, besides Greg my best drinking buddy, Monica, Saul, Adrian, Mike who also played in a band, the other Mike, Monroe who I saw years later working at the National Archives, Pam, Lynda, Jan, Ginny, and the dozens of others we came to know during those years.  It was a lot of fun folks.

More Mercer

In my post last week on the TCM tribute to Johnny Mercer, I excerpted a paragraph from Terry Teachout’s 2004 Commentary column on Mercer, mentioning that the full column was hidden behind the subscription firewall. Good news. Terry watched the TCM special also and posted most of the column over on his site. His thoughts about Mercer are well worth reading. He adds an addendum at the end of the post with some book and music recommendations. I already own Nancy Lamott’s marvelous Come Rain or Come Shine: The Songs of Johnny Mercer – listen to her “Moon River” below, easily the best version I’ve ever heard – and, thanks to Terry, the Mosaic three-CD box set is on its way.



[audio:01 Moon River.mp3]

Monday, November 9, 2009

Once Upon A Summertime

Once upon a summertime if you recall
We stopped beside a little flower stall
A bunch of bright forget-me-nots was all you let me buy you
Once upon a summertime just like today
We laughed the happy afternoon away
And stole a kiss in every street cafe
You were sweeter than the blossom on the tree
I was as proud as any man could be
As if the mayor had offered me the key, the key to Paris
Now another wintertime has come and gone
The pigeons feeding in the square have flown
But I remember when the vespers chime
You loved me once upon a summertime.

Johnny Mercer, Once Upon a Summertime

Saturday, November 7, 2009

That’s Another Question

Okay, earlier today I answered the desert island question, kind of (see below). Now I pose a question James Lileks’ asked on The Bleat (if you don’t read Lileks’ blog daily you’re missing something) yesterday:  You are given a check for a million dollars, tax free. You have to spend it. You cannot use it on bills, or invest it, or just give it away. What would you do with it?

Lileks says he’d make a movie, which is a great idea.  I’ve written two screenplays, the second of which I really think could find a market if we could get it made.  It might need a bit of tweaking from the professionals but what original screenplay doesn’t? So that’s a possibility.  My wife’s immediate response was to buy a house at the beach and I could go for that too.  My first response was perhaps an apartment in Manhattan so I could pop up to NYC whenever I wanted.  Second response was to set up vacations all over the world for the next decade and beyond, flying first-class, staying at the finest hotels, eating the best food, etc.  I’d also buy all the books, music, and DVDs I ever wanted and get a club membership at the best golf course close to my house.   

I might also buy a new car, not because I don’t like the one I’m driving now but because what I have now is old and it has a cassette tape player and I’d want something with a CD player and a plug for my IPod.  The car itself means not much to me, so long as it’s reliable. 

Would I buy a new, bigger, home?  No.  Neither my wife nor I ever cared about living in a big house.  Too much space to keep clean.  At this point in our lives if we move we’d probably go smaller, into a condo.   Maybe we’d use the money to move into a very nice condo, so long as a weekly visit from the cleaning-lady came with it.  I hate housework and so does my baby. 

Someone responded in the posts’ comments section with perhaps an even more interesting question, one that may shed more light on your character than the original question: “What if you won a huge lotto? Big enough so you wouldn’t have any worries about money, ever again. Now, it’s two years after you’ve won that. You’ve travelled, you have the RV, the cabin, the remodel, whatever. You wake up and it’s Monday morning. What is your day like?”

Who can say, really?  I think that my day would not be so different from what it would be without the money.  At least I hope it wouldn’t be.  I’m certain that I’d still have the same interests and concerns.  I’m in my fifties: I know my likes and dislikes, and I know my own mind.  I’ve never longed for splendor, nor for anything that I couldn’t buy with my own hard-earned money.  To be honest, I like money, it buys you a bit of freedom and gives you some peace-of-mind, but it’s not a central to my happiness.  So long as I have my girl, my family, a few friends, and a few outlets, like music and the theater and trips to New York, with the occasional jaunt over to Europe, then I’m happy. 

Someone in the comments answered that they’d build a theater and hire pros to run it, and then sit back and enjoy the people in town seeing great theater.  What a grand idea!  Put me down for that one too. 

Another responded that he’d try to outdo Andrew Carnegie for philanthropy and that too crossed my mind.  I’d like to come up with some sort of organization dedicated to a cause that I was certain would benefit my community and/or the world at large.  I’d staff it with a few pros whom I respected but mostly with family and a few friends since they would be the only people I fully trusted, at least at the beginning.  (I’d have my wife overseeing the books because I could then be certain we weren’t be spending a penny more than was necessary.  I love you baby.) Something like that could be highly rewarding.

Okay, enough for today.  It’s the weekend and we all need some downtime.  If I were infinitely rich I hope I’d still do what I plan to do today as a poor pauper: spend some time with my love and continue reading an astoundingly good book, Gordon Woods’ Empire of Liberty: A History of the Early Republic, 1789-1815.  If you’re looking for me, I’ll be the very happy guy on the couch.

Stranded

I recently joined Goodreads, a site for booklovers, and I’ve been adding books to my “read” list as I recall them.  The list is up to 360 books as of today though that number is only a fraction of what I’ve read in my life. I’ll be adding more.  Perusing my bookshelves the other day in order to add to the list I came across the book Stranded: Rock and Roll for a Desert Island, by Greil Marcus, which I bought when it was first released back in 1979 and I was 21 years old.  The book consists of twenty rock and roll writers essays answering the question: what rock and roll record would you take to a desert island?  Marcus adds a final chapter entitled “Treasure Island” in which he answers a different question: were a Martian to land on earth and ask you the meaning of rock and roll, what would you play to explain.  Marcus uses the question to craft a commented discography is which he outlines the best rock and roll has to offer, at least up to that time. 

It’s a fun book with some surprising entries and it got me thinking.  When I purchased the book thirty years ago my answer to the desert island question would have been unequivocal: Van Morrison’s Astral Weeks.  (I’ve blogged about Van and Astral Weeks previously here and put together sort of my own rock and roll discography here, here and here.)  I have loved Astral Weeks since the first time I put it on the record player when I was in my mid-teens.  I had no idea at the time that it was considered by the rock cognoscenti such as Marcus and Lester Bangs (who chooses Astral Weeks as his desert island record in the book) as one of rock and roll’s masterpieces.  I simply knew that I loved it.  It got to me in a way that no other record ever had.  And no one else knew about it!  It was my own little treasure.  And it would be tucked under my arm when I landed on that desert island. 

Would it still be?  If the desert island question were presented to me today would I still choose as I did as a 21 year old?  A 51 year old has different needs than a 21 year old, after all.  Would the me of today need or want to ride Astral Weeks’ emotional roller coaster in his desert island existence? (By the way, I’ve quoted Lester Bangs in this space previously as saying “Cyprus Avenue”, one of the records finest songs, was about “rapture, and despair.”  Perusing his essay this morning, I see that he says “rapture and anguish.”  I was close but wrong.  Thirty years will play with your memory.) Plus, as anyone who has read even the past few posts on this blog knows, my musical tastes have…what?   I was about to say my musical tastes have changed, but that’s not true.  The rock and roll I loved thirty years ago I still love.  Better to say my musical horizons have widened.  These days I listen to classical, jazz, and standards as much as I listen to rock and roll, probably more.  After all, I’ve heard the rock and roll thousands of time by now.  There is nothing new there, while there is still plenty of new music to explore in those other areas.  Anyhow, I digress.  Probably because I am avoiding the question.  What record are you tucking under your arm as the ship that dropped you off sails away into the distance?

I could cop out like Marcus and simply say, well, I’ll take my IPod with me along with the twenty-five hundred songs I have on it.  That’ll do.  No, you say?  I must choose a single record or CD?  Can I least put together a compilation?  No?  No. 

And the answer to the question is: I don’t know.  Or, at least, it depends on the day.  Today I might still choose Astral Weeks, tomorrow some other Van Morrison record, like Tupelo Honey, or Saint Dominic’s Preview, or Veedon Fleece.  Would I choose any other rock and roll?  No.  The older I get the more I am convinced that Van Morrison is the greatest rock and roller of them all (i.e. my favorite).  I listen to his music far more than anyone else, including Dylan. Pack me off to the island with just Van’s oeuvre and I’d be satisfied. 

But there are other contenders now.  Today I might choose some Bach concertos, such as this CD, which I adore.  I imagine keeping oneself from falling into the depths of despair would be of central concern on a desert island and I know of no music more joyous than the Bach concertos.  Tomorrow I’d perhaps choose Beethoven’s Archduke Piano Trio whose jaunty, bouncy second movement would keep one’s spirits up and whose first movement would add a dose of pure beauty to go along with it.  If you deem that large doses of beauty are the most important need on the island, Mozart’s Clarinet Quintet might do the trick.  It’s a touch choice, as you can see.

Perhaps a Jo Stafford collection, Helen Merrill’s debut album or Frank Sinatra Only The Lonely would fit the bill.  Jo Stafford’s full, rich voice could see you through a lot, and, to my taste, when she sang the standards no one did it better.  The Merrill and Sinatra records might be dangerous though.  You might want them in order to wallow in your despair but listen to them too much on your desert island and suicide may be your only way out.  As much as I love them, best they be left back on the mainland. 

Or maybe I’d bring along Pops’ Hot Fives and Sevens, perhaps the seminal jazz recordings.  The music is consistently great and it has the added benefit of including ninety songs.  That’d last you awhile.  And whose spirits would not be lifted while listening to Louis Armstrong sing and blow his horn?   

Clearly this post has devolved into an excuse for listing some of my favorite music.  So sue me.  Marcus used an entire book to list his.

There is more but time is short this morning so I’ll end.  Today, if forced to choose, I’d still go with Van Morrison.  But I’d take one of his later records, Magic Time, because you’d need a dose of magic if you’re all alone forever on a desert island.  And what song would be more appropriate to your existence than its opening track?  It would be the story of your life:



[audio:http://www.whatsnew-dc.com/wordpress/wp-content/uploads/2009/11/01-Stranded.mp3|titles=Stranded]

Friday, November 6, 2009

Bach’s Cantatas

Speaking of looking back (see post below) I’ve recently been looking way back, about 275 years.  I’ve loved Bach for a long time now but most of what I’ve listened to is his secular music, his violin concertos, the Brandenburgs, the harpsichord concertos, his cello suites, his violin sonatas, etc.  Most of this music was written between the years 1717-1723 when Bach was in the employ of Prince Leopold of of Anhalt-Köthen.  The prince loved Bach and apparently the feeling was mutual.  Furthermore, the prince knew his music – he was a gifted violinist - and as a result he realized Bach’s genius.  He put no restrictions on what Bach could write and for this we can thank Prince Leopold for some of the most glorious music in the Western canon.  So, thanks Leo. 

But all good things must come to an end.  Leopold married in 1721 to a shrew who apparently had no appreciation of music and who felt that Leopold was spending far too much money on his court orchestra and Bach.  Bach hated her and things began to deteriorate from there.  By 1723 he felt he could no longer continue as Kapellmeister at Cöthen.  Bach was offered the position as Cantor at Leipzig, and though Leopold’s shrew kicked the bucket before he accepted, Bach decided to move on anyway.  Alas, if only she had died sooner, before Bach had started looking for other employment, musical history may have been changed forever.  At any rate, Bach would spend the rest of his career at Leipzig until his death in 1750.  And unlike his position with the prince, his new job imposed strict requirements on what he could write.  The main requirement, other than teaching at the school, was to “provide weekly music at the two main churches in Leipzig”.  This necessarily meant that most of what Bach wrote forever after was church music (though he would write both The Art of the Fugue and the wondrous Goldberg Variations late in life).  Hence his St. Matthews Passion, the Mass in B Minor, and his chorale preludes and cantatas, both of which he wrote hundreds.  The sheer volume of these works intimidate the newcomer.  Which ones should we listen to?  Which are the best?  Having completed re-listening to Robert Greenberg’s Teaching Company course How to Listen to and Understand Great Music, I’ve now begun re-listening to his Bach and the High Baroque.  This has inspired me to take a shot at the cantatas.  The cantata form rose during the Baroque alongside opera and oratorio.  They were essentially small scale operas intended for the church, for one or two singers, acting out the gospel lesson of the day or week.  As such, a new one was needed weekly, which explains how we know of some 250 Bach cantatas, with many hundreds more thought lost. 

I received Bach: Cantatas BWV 80, 140, 147; Jesu, meine Freude from Amazon last week and listened to the cantatas at home and during my morning workouts this week.  And they are marvelous.  I especially love the first movement choruses – the chorus of Wachet auf (“Sleepers Awake”), BWV 140, is truly sublime.  I know I use this phrase a lot when discussing music, but it makes me giddy.  Everyone knows some of this music, for instance the fourth movement choral movement of Wachet Auf can he heard here:

If you’ve ever been to church, you’ll recognize some of this music.  If anyone told me twenty years ago that I’d be listening to and enjoying church music I’d have told them they were crazy but there it is.  Here is that sublime first movement chorus to Cantata No. 140.  Turn up the volume and enjoy:

Dropping Out

I sent this Victor Davis Hanson blog post to my wife a few weeks back and she responded that I could have written it, so closely did it resemble my own experience.  The post’s subject has to do with Hanson’s alienation from contemporary culture and, judging by the responses in the comments section, Hanson and I are clearly not alone.  Like Hanson, I once was deeply engaged with the popular culture.  But also like Hanson, alas, I never go to the movie theater anymore and I only watch a few current movies per year on DVD.  There’s simply very little coming from Hollywood these days that interests me as most of what I see is predicable, trite, and boring.  Likewise music.  I have no idea about music being produced today or who is producing it. I couldn’t name a popular hit song over the past decade if my life depended on it.  As I’ve mentioned before, modern popular music is a world that doesn’t exist for me.  And so on: I don’t read the newspaper beyond a glance at the morning sports page, I very rarely watch or listen to public TV or radio, and I watch less sports than I used to.  For instance, I loved professional basketball from the time I was a child until the day Larry Bird retired but I never watch it anymore.  Like other once glorious things, it has devolved.  Rather than being a team game, it’s now a one-on-one or two-on-two affair, with little of the teamwork, ball movement, movement away from the ball, and beauty (think the old Celtics teams from the 60’s, 70’s and 80’s) that once epitomized the game.  Pro basketball these days seems to be about clearing out for one player to go one-on-one to the basket against his defender and, if that doesn’t work, to pop it out to a teammate for a three-pointer.  Indeed, the three-point shot is one of the problems with the game today.  The twenty-foot jump shot is a thing of the past as is working together to get the best shot under the best circumstances. 

I watch a smattering of TV.  I still watch Entourage, which isn’t as good as it once was, and I’ll watch Curb Your Enthusiasm until it’s run is complete.  And, as any reader of this blog knows, I love Mad Men.  I started watching 30 Rock last year but it got unfunny after its first season.  I’m thinking about starting to watch The Office because I watched a few episodes recently and found it quite good, particularly how they handle the relationship between Jim and Pam, which is touching.  I had a bit of a bias against it when it first came on because my wife and I had watched the original British version of the show, which was brilliant, and I thought the American version could not possibly match it.  Perhaps not, but my cursory viewing of these recent episodes tell me it’s well-made.  We’ll see if it’s worth watching the full run.

I don’t want to be this way.  To anyone who reads this blog, clearly I love movies, music, television, books, and sports.  But in the desert called modern culture it’s more rewarding to look backwards.  There’s still lots out there to find so long as you know where to look.